Spitfire Audio Spitfire Studio Strings Professional KONTAKT (premium)

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Spitfire Audio Spitfire Studio Strings Professional KONTAKT Free Download Latest . It is of Spitfire Audio Spitfire Studio Strings Professional KONTAKT free download.

Spitfire Audio Spitfire Studio Strings Professional KONTAKT Overview

This new set of orchestral libraries, two years in the making, has all the treasured Spitfire hallmarks: A-list London session players, priceless instruments and an unparalleled signal path recorded to tape by Grammy award-winning engineer Simon Rhodes. As with our existing symphonic and chamber ranges, we have applied a “no stone unturned” approach: an encyclopaedia of articulations (playing styles), vibrato control, numerous dynamic layers and round-robins for seamless, nuanced realism.
Our new Studio Strings package is a medium chamber (or small symphonic) ensemble recorded by section (1st violin, 2nd violins, violas, cellos and double basses), and is available in two versions: Spitfire Studio Strings, and the more extensive Spitfire Studio Strings Professional.
Spitfire Studio Strings takes you straight to the heart of our most pristine orchestral library to date: 148 articulations across the full 30-piece string section (8.6.6.6.4), from soaring legato and our signature whispering super-flautando, right down to spiccato, hairpins, grace notes, and FX. Immediately usable, instantly compelling.
The Professional edition of the library offers all of this and more, opening the door to peerless detail and control — 5 extra mics, 2 extra mixes, large band (16.12.12.12.4) and divisi for each section.
We were determined to go the extra mile and offer divisi (half sections) in the Pro library, which empowers a new level of modular control. Your string orchestra is now configurable from the fibrous intimacy of dual four-piece 1st violin sections, three-piece 2nds, three-piece violas and three-piece cellos (4.3.3.3) up to the rich power of 16.12.12.12.4 – a combination of the main sections (including basses) plus two divisi.
In addition to an all-embracing 232 articulations, you can access and personalise your mix of the full microphone armoury of Simon Rhodes — six different setups, from pin-sharp to super-wide, picked up by the best from Neumann, Schoeps, Sennheiser and others.

Spitfire users now have a comprehensive range of orchestral manoeuvres. We believe Studio Strings suits users of our existing Lyndhurst Hall ranges as an essential sonic alternative. It is also perfect for those looking to buy a strings library that will give them the most bang for their buck – being usable in the widest range of musical settings, ready for your own favourite reverbs and FX. With the versatility we have engineered into this library, we have no doubt that Spitfire Studio Strings will be a cherished part of your music-making over the next decade.
Simon Rhodes was an obvious choice for our entirely new Studio orchestra range — a microphone magician with multiple Grammy awards to his name, and a senior engineer at Abbey Road Studios. He has worked at the highest level in film score recording, having been James Horner’s go-to engineer for 18 years. Blockbuster movies such as Avatar, Skyfall and Spectre have also had the Rhodes treatment.
You can choose Simon’s mix, or with the Professional edition of the library, customise from the various mic options, from close to ambient, as well as two ‘Tree’ setups, both using Schoeps microphones. “The second uses Schoeps MK 21 wide cardioids (or sub-cardioids), which are great for keeping the room sound at bay while allowing you to get a sense of distance and perspective. This was especially important for our prized divisi recordings, where we recorded different sets of players in separate chairs, divided between inside and outside desks. With a touch of reverb on, this library is going to sound very lush and beautiful, but at the same time keep hold of all the detail.”

WHAT’S INCLUDED

ALL-IN-ONE PATCHES

Violins 1 (16)
Violins 1 (8)
Violins 1 (4A)
Violins 1 (4B)
Violins 2 (12)
Violins 2 (6)
Violins 2 (3A)
Violins 2 (3B)
Violas (12)
Violas (6)
Violas (3A)
Violas (3B)
Celli (12)
Celli (6)
Celli (3A)
Celli (3B)
Basses (4)

ADVANCED

EXTENDED TECHNIQUES

Violins 1 (16) – Core techniques
Violins 1 (16) – Decorative techniques
Violins 1 (8) – Core techniques
Violins 1 (8) – Decorative techniques
Violins 1 (8) – FX
Violins 1 (4A) – Core techniques
Violins 1 (4A) – Decorative techniques
Violins 1 (4B) – Core techniques
Violins 1 (4B) – Decorative techniques
Violins 2 (12) – Core techniques
Violins 2 (12) – Decorative techniques
Violins 2 (6) – Core techniques
Violins 2 (6) – Decorative techniques
Violins 2 (6) – FX
Violins 2 (3A) – Core techniques
Violins 2 (3A) – Decorative techniques
Violins 2 (3B) – Core techniques
Violins 2 (3B) – Decorative techniques
Violas (12) – Core techniques
Violas (12) – Decorative techniques
Violas (6) – Core techniques
Violas (6) – Decorative techniques
Violas (3A) – Core techniques
Violas (3A) – Decorative techniques
Violas (3B) – Core techniques
Violas (3B) – Decorative techniques
Celli (12) – Core techniques
Celli (12) – Decorative techniques
Celli (6) – Core techniques
Celli (6) – Decorative techniques
Celli (6) – FX
Celli (3A) – Core techniques
Celli (3A) – Decorative techniques
Celli (3B) – Core techniques
Celli (3B) – Decorative techniques
Basses (4) – Core techniques
Basses (4) – Decorative techniques

INDIVIDUAL ARTICULATIONS

VIOLINS 1 (16)

Violins 1 (16) – Legato (Slurred)
Violins 1 (16) – Long CS
Violins 1 (16) – Long Flautando
Violins 1 (16) – Short Pizzicato
Violins 1 (16) – Short Spiccato
Violins 1 (16) – Tremolo

VIOLINS 1 (8)

Violins 1 (8) – Falls
Violins 1 (8) – FX Gliss
Violins 1 (8) – FX Grace Note Semitone
Violins 1 (8) – FX Grace Note Tone
Violins 1 (8) – FX Grace Note x2
Violins 1 (8) – FX Grace Note x3 to Dominant
Violins 1 (8) – FX Grace Note x3 to Tonic
Violins 1 (8) – FX Hairpin
Violins 1 (8) – FX Phrases
Violins 1 (8) – FX Slide 4th to Tonic
Violins 1 (8) – FX Slide 5th to Dominant
Violins 1 (8) – Legato (Portamento)
Violins 1 (8) – Legato (Slurred)
Violins 1 (8) – Long CS Blend
Violins 1 (8) – Long CS Sul Pont
Violins 1 (8) – Long CS
Violins 1 (8) – Long Flautando
Violins 1 (8) – Long Harmonics
Violins 1 (8) – Long Sul G
Violins 1 (8) – Long Sul Pont
Violins 1 (8) – Long Sul Tasto
Violins 1 (8) – Long Super Sul Tasto
Violins 1 (8) – Long
Violins 1 (8) – Marcato Attack
Violins 1 (8) – Runs
Violins 1 (8) – Short Brushed CS
Violins 1 (8) – Short Brushed
Violins 1 (8) – Short Col Legno
Violins 1 (8) – Short Harmonics
Violins 1 (8) – Short Pizzicato Bartok
Violins 1 (8) – Short Pizzicato
Violins 1 (8) – Short Spiccato CS
Violins 1 (8) – Short Spiccato
Violins 1 (8) – Tremolo CS Sul Pont
Violins 1 (8) – Tremolo CS
Violins 1 (8) – Tremolo Measured (150bpm)
Violins 1 (8) – Tremolo Measured CS (150bpm)
Violins 1 (8) – Tremolo Measured Sul Pont CS (150bpm)
Violins 1 (8) – Tremolo Measured Sul Pont CS (180bpm)
Violins 1 (8) – Tremolo Sul Pont
Violins 1 (8) – Tremolo
Violins 1 (8) – Trill (Major 2nd)
Violins 1 (8) – Trill (Major 3rd)
Violins 1 (8) – Trill (Minor 2nd)
Violins 1 (8) – Trill (Minor 3rd)
Violins 1 (8) – Trill (Perfect 4th)

VIOLINS 1 (4A)

Violins 1 (4A) – Legato (Slurred)
Violins 1 (4A) – Long CS
Violins 1 (4A) – Long Flautando
Violins 1 (4A) – Long
Violins 1 (4A) – Short Pizzicato
Violins 1 (4A) – Short Spiccato
Violins 1 (4A) – Tremolo

VIOLINS 1 (4B)

Violins 1 (4B) – Legato (Slurred)
Violins 1 (4B) – Long CS
Violins 1 (4B) – Long Flautando
Violins 1 (4B) – Long
Violins 1 (4B) – Short Pizzicato
Violins 1 (4B) – Short Spiccato
Violins 1 (4B) – Tremolo

VIOLINS 2 (12)

Violins 2 (12) – Legato (Slurred)
Violins 2 (12) – Long CS
Violins 2 (12) – Long Flautando
Violins 2 (12) – Long
Violins 2 (12) – Short Pizzicato
Violins 2 (12) – Short Spiccato
Violins 2 (12) – Tremolo

VIOLINS 2 (6)

Violins 2 (6) – Falls
Violins 2 (6) – FX Gliss
Violins 2 (6) – FX Grace Note Semitone
Violins 2 (6) – FX Grace Note Tone
Violins 2 (6) – FX Grace Note x2
Violins 2 (6) – FX Grace Note x3 to Dominant
Violins 2 (6) – FX Grace Note x3 to Tonic
Violins 2 (6) – FX Hairpin
Violins 2 (6) – FX Phrases
Violins 2 (6) – FX Slide 4th to Tonic
Violins 2 (6) – FX Slide 5th to Dominant
Violins 2 (6) – Legato (Portamento)
Violins 2 (6) – Legato (Slurred)
Violins 2 (6) – Long CS Blend
Violins 2 (6) – Long CS Sul Pont
Violins 2 (6) – Long CS
Violins 2 (6) – Long Flautando
Violins 2 (6) – Long Harmonics
Violins 2 (6) – Long Sul G
Violins 2 (6) – Long Sul Pont
Violins 2 (6) – Long Sul Tasto
Violins 2 (6) – Long Super Sul Tasto
Violins 2 (6) – Long
Violins 2 (6) – Marcato Attack
Violins 2 (6) – Runs
Violins 2 (6) – Short Brushed CS
Violins 2 (6) – Short Brushed
Violins 2 (6) – Short Col Legno
Violins 2 (6) – Short Harmonics
Violins 2 (6) – Short Pizzicato Bartok
Violins 2 (6) – Short Pizzicato
Violins 2 (6) – Short Spiccato CS
Violins 2 (6) – Short Spiccato
Violins 2 (6) – Tremolo CS Sul Pont
Violins 2 (6) – Tremolo CS
Violins 2 (6) – Tremolo Measured (150bpm)
Violins 2 (6) – Tremolo Measured CS (150bpm)
Violins 2 (6) – Tremolo Sul Pont
Violins 2 (6) – Tremolo
Violins 2 (6) – Trill (Major 2nd)
Violins 2 (6) – Trill (Major 3rd)
Violins 2 (6) – Trill (Minor 2nd)
Violins 2 (6) – Trill (Minor 3rd)
Violins 2 (6) – Trill (Perfect 4th)

VIOLINS 2 (3A)

Violins 2 (3A) – Legato (Slurred)
Violins 2 (3A) – Long CS
Violins 2 (3A) – Long Flautando
Violins 2 (3A) – Long
Violins 2 (3A) – Short Pizzicato
Violins 2 (3A) – Short Spiccato
Violins 2 (3A) – Tremolo

VIOLINS 2 (3B)

Violins (3B) – Legato (Slurred)
Violins (3B) – Long CS
Violins (3B) – Long Flautando
Violins (3B) – Long
Violins (3B) – Short Pizzicato
Violins (3B) – Short Spiccato
Violins (3B) – Tremolo

VIOLAS (12)

Violas (12) – Legato (Slurred)
Violas (12) – Long CS
Violas (12) – Long Flautando
Violas (12) – Long
Violas (12) – Short Pizzicato
Violas (12) – Short Spiccato
Violas (12) – Tremolo

VIOLAS (6)

Violas (6) – Legato (Portamento)
Violas (6) – Legato (Slurred)
Violas (6) – Long CS Blend
Violas (6) – Long CS
Violas (6) – Long Flautando
Violas (6) – Long Harmonics
Violas (6) – Long Sul C
Violas (6) – Long Sul Pont
Violas (6) – Long Sul Tasto
Violas (6) – Long Super Sul Tasto
Violas (6) – Long

Violas (6) – Marcato Attack
Violas (6) – Short Brushed CS
Violas (6) – Short Brushed
Violas (6) – Short Col Legno
Violas (6) – Short Harmonics
Violas (6) – Short Pizzicato Bartok
Violas (6) – Short Pizzicato
Violas (6) – Short Spiccato CS
Violas (6) – Short Spiccato
Violas (6) – Tremolo CS
Violas (6) – Tremolo Measured (150bpm)
Violas (6) – Tremolo Sul Pont
Violas (6) – Tremolo
Violas (6) – Trill (Major 2nd)
Violas (6) – Trill (Minor 2nd)

VIOLAS (3A)

Violas (3A) – Legato (Slurred)
Violas (3A) – Long CS
Violas (3A) – Long Flautando
Violas (3A) – Long
Violas (3A) – Short Pizzicato
Violas (3A) – Short Spiccato
Violas (3A) – Tremolo

VIOLAS (3B)

Violas (3B) – Legato (Slurred)
Violas (3B) – Long CS
Violas (3B) – Long Flautando
Violas (3B) – Long
Violas (3B) – Short Pizzicato
Violas (3B) – Short Spiccato
Violas (3B) – Tremolo

CELLI (12)

Celli (12) – Legato (Slurred)
Celli (12) – Long CS
Celli (12) – Long Flautando
Celli (12) – Long
Celli (12) – Short Pizzicato
Celli (12) – Short Spiccato
Celli (12) – Tremolo

CELLI (6)

Celli (6) – Falls
Celli (6) – FX Gliss
Celli (6) – FX Grace Note Semitone
Celli (6) – FX Grace Note Tone
Celli (6) – FX Grace Note x2
Celli (6) – FX Hairpin
Celli (6) – Legato (Portamento)
Celli (6) – Legato (Slurred)
Celli (6) – Long CS Blend
Celli (6) – Long CS Sul Pont
Celli (6) – Long CS
Celli (6) – Long Flautando
Celli (6) – Long Harmonics
Celli (6) – Long Sul C
Celli (6) – Long Sul Pont
Celli (6) – Long Sul Tasto
Celli (6) – Long Super Sul Tasto
Celli (6) – Long
Celli (6) – Marcato Attack
Celli (6) – Short Brushed CS
Celli (6) – Short Brushed
Celli (6) – Short Col Legno
Celli (6) – Short Harmonics
Celli (6) – Short Pizzicato Bartok
Celli (6) – Short Pizzicato
Celli (6) – Short Spiccato CS
Celli (6) – Short Spiccato
Celli (6) – Tremolo CS Sul Pont
Celli (6) – Tremolo CS
Celli (6) – Tremolo Measured (150bpm)
Celli (6) – Tremolo Measured CS (150bpm)
Celli (6) – Tremolo Measured Sul Pont CS (150bpm)
Celli (6) – Tremolo Measured Sul Pont CS (180bpm)
Celli (6) – Tremolo Sul Pont
Celli (6) – Tremolo
Celli (6) – Trill (Major 2nd)
Celli (6) – Trill (Major 3rd)
Celli (6) – Trill (Minor 2nd)
Celli (6) – Trill (Minor 3rd)
Celli (6) – Trill (Perfect 4th)

CELLI (3A)

Celli (3A) – Legato (Slurred)
Celli (3A) – Long CS
Celli (3A) – Long Flautando
Celli (3A) – Long
Celli (3A) – Short Pizzicato
Celli (3A) – Short Spiccato
Celli (3A) – Tremolo

CELLI (3B)

Celli (3B) – Legato (Slurred)
Celli (3B) – Long CS
Celli (3B) – Long Flautando
Celli (3B) – Long
Celli (3B) – Short Pizzicato
Celli (3B) – Short Spiccato
Celli (3B) – Tremolo

BASSES (4)

Basses (4) – Legato (Portamento)
Basses (4) – Legato (Slurred)
Basses (4) – Long Flautando
Basses (4) – Long Harmonics
Basses (4) – Long Sul Pont
Basses (4) – Long Sul Tasto
Basses (4) – Long Super Sul Tasto
Basses (4) – Long
Basses (4) – Marcato Attack
Basses (4) – Short Col Legno
Basses (4) – Short Harmonics
Basses (4) – Short Pizzicato Bartok
Basses (4) – Short Pizzicato
Basses (4) – Short Spiccato
Basses (4) – Tremolo Measured (150bpm)
Basses (4) – Tremolo Measured (180bpm)
Basses (4) – Tremolo Sul Pont
Basses (4) – Tremolo
Basses (4) – Trill (Major 2nd)
Basses (4) – Trill (Minor 2nd)

LEGATO TECHNIQUES

Violins 1 (16) – Legato performance
Violins 1 (8) – Legato performance
Violins 1 (4A) – Legato performance
Violins 1 (4B) – Legato performance
Violins 2 (12) – Legato performance
Violins 2 (6) – Legato performance
Violins 2 (3A) – Legato performance
Violins 2 (3B) – Legato performance
Violas (12) – Legato performance
Violas (6) – Legato performance
Violas (3A) – Legato performance
Violas (3B) – Legato performance
Celli (12) – Legato performance
Celli (6) – Legato performance
Celli (3A) – Legato performance
Celli (3B) – Legato performance
Basses (4) – Legato performance

OTHER PATCHES

Violins 1 (16) – Economic Longs
Violins 1 (16) – Economic Shorts
Violins 1 (16) – Light resources
Violins 1 (16) – Time Machine
Violins 1 (8) – Economic Longs
Violins 1 (8) – Economic Shorts
Violins 1 (8) – Light resources
Violins 1 (8) – Time Machine
Violins 1 (4A) – Economic Longs
Violins 1 (4A) – Economic Shorts
Violins 1 (4A) – Light resources
Violins 1 (4A) – Time Machine
Violins 1 (4B) – Economic Longs
Violins 1 (4B) – Economic Shorts
Violins 1 (4B) – Light resources
Violins 1 (4B) – Time Machine
Violins 2 (12) – Economic Longs
Violins 2 (12) – Economic Shorts
Violins 2 (12) – Light resources
Violins 2 (12) – Time Machine
Violins 2 (6) – Economic Longs
Violins 2 (6) – Economic Shorts
Violins 2 (6) – Light resources
Violins 2 (6) – Time Machine
Violins 2 (3A) – Economic Longs
Violins 2 (3A) – Economic Shorts
Violins 2 (3A) – Light resources
Violins 2 (3A) – Time Machine
Violins 2 (3B) – Economic Longs
Violins 2 (3B) – Economic Shorts
Violins 2 (3B) – Light resources
Violins 2 (3B) – Time Machine
Violas (12) – Economic Longs
Violas (12) – Economic Shorts
Violas (12) – Light resources
Violas (12) – Time Machine
Violas (6) – Economic Longs
Violas (6) – Economic Shorts
Violas (6) – Light resources
Violas (6) – Time Machine
Violas (3A) – Economic Longs
Violas (3A) – Economic Shorts
Violas (3A) – Light resources
Violas (3A) – Time Machine
Violas (3B) – Economic Longs
Violas (3B) – Economic Shorts
Violas (3B) – Light resources
Violas (3B) – Time Machine
Celli (12) – Economic Longs
Celli (12) – Economic Shorts
Celli (12) – Light resources
Celli (12) – Time Machine
Celli (6) – Economic Longs
Celli (6) – Economic Shorts
Celli (6) – Light resources
Celli (6) – Time Machine
Celli (3A) – Economic Longs
Celli (3A) – Economic Shorts
Celli (3A) – Light resources
Celli (3A) – Time Machine
Celli (3B) – Economic Longs
Celli (3B) – Economic Shorts
Celli (3B) – Light resources
Celli (3B) – Time Machine
Basses (4) – Economic Longs
Basses (4) – Economic Shorts
Basses (4) – Light resources
Basses (4) – Time Machine

MICS & MIXES

MICS

C1 – Close mics
C2 – Leader close mic
T1 – Tree 1
T2 – Tree 2
A – Ambience mics
O – Outriggers

MIXES

M1 – Mix 1
M2 – Mix 2

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